Two people stand in front of four drawings by artist Guo Fengyi. The artworks are large ink drawings on display in a gallery.
Guo Fengyi, Diagram of the human nerves ten thousand twenty thousand one hundred thousand, 1989, Natural Superpower black mudra 1990, Male Female, 1989, Diagram of the liver meridian. Photo by Carey Shaw.

How art helped heal artist Guo Fengyi

Guo  Fengyi is one of the artists featured at Remai Modern until August 22 as part of the exhibition  An  apology, a pill, a ritual, a resistance.  Fengyi  (1942-2010) didn’t begin making art until her 40s. She began her practice not as an artistic pursuit but as a method of healing. Forced to retire at age 45 because of severe rheumatoid arthritis, she began practicing qigong, a technique of coordinated movement, breathing and meditation developed to cultivate and balance one’s life force or energy (qi). She credited this practice with unleashing artistic energy that produced a large and astonishing body of drawings. She produced more than 500 drawings during her short but prolific career.  

Four illustrations by artist Guo Fengyi
Installation view, An apology, a pill, a ritual, a resistance, 2021, Remai Modern. Works by Guo Fengyi. Photo by Blaine Campbell
A portrait of the artist Guo Fengyi. She is smiling, standing in front of one of her large drawings.
Guo Fengyi. Image courtesy of Long March Space, Beijing.
One person stands in front of two drawings by artist Guo Fengyi. The artworks are large ink drawings on display in a gallery.
Guo Fengyi, Diagram of the human nerves ten thousand twenty thousand one hundred thousand, 1989, Natural Superpower black mudra 1990, Photo by Carey Shaw.